During the Fine Art taster week I decided to look at an artist who worked in a medium that I had researched before but was totally different. Zadok Ben-David's installation Blackfield is such an eye
catching piece and the way that the view changes depending on where the viewer
is stood is extremely interesting. In comparison to Junko Mori's pieces which are worked by hand before being forged together, the metal in Blackfield has been cut out so delicately
that each piece looks almost organic and the due to the sheer volume of them
they actually look like a field when viewed as a whole.
Each individual piece looks so fragile that it
is hard to believe that something as solid as steel has been used to make them
as they don’t look strong enough. More than 12,000 individual pieces of steel
were used and although they ended up in 3D they were originally images from
Victorian text books of that Ben-David copied out and cut from steel. I think
this adds another level of interest to the piece as it has changed from a flat
2D illustration into 3D and isn’t based on real life natural form.
Each of the
pieces has been hand painted on one side so that as the viewer circles around
the piece the field looks black at one angle and suddenly becomes filled with
colour at another. This illusion like concept makes the piece look so beautiful
from whichever angle it is viewed at that it is easy to see why smaller pieces
in Perspex boxes with mirrored panels have been made to sell as the piece has
such aesthetic qualities it can be used as a decorative feature as well as a
piece of art.
When looking at the piece one of the things that becomes obvious
is the amount of time and level of precision that was there during each stage
of the production, from sourcing the images from the books, to cutting them
into the flower shapes and painting them to placing them in the sand so that
each colour is in a certain place in the overall piece.
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